The Street of Crocodiles: Short Stories by unknow

The Street of Crocodiles: Short Stories by unknow

Author:unknow
Language: eng
Format: epub
Tags: Classics, Fiction, Hanna -add to kindle, Hanna -to read, Hanna- was on kindle, International, Literary, Short Stories, Upload, Edited
ISBN: 9780143105145
Amazon: 0143105140
Publisher: Penguin Classics
Published: 2010-12-14T03:40:35+00:00


The Street of Crocodiles

My father kept in the lower drawer of his large desk an old and beautiful map of our city. It was a whole folio sheaf of parchment pages which, originally fastened with strips of linen, formed an enormous wall map, a bird's-eye panorama.

Hung on the wall, the map covered it almost entirely and opened a wide view on the valley of the River Tys-mienica, which wound itself like a wavy ribbon of pale gold, on the maze of widely spreading ponds and marshes, on the high ground rising toward the south, gently at first, then in ever tighter ranges, in a chessboard of rounded hills, smaller and paieras they receded toward the misty yellow fog of the horizon. From that faded distance of the periphery, the city rose and grew toward the center of the map, an undifferentiated mass at first, a dense complex of blocks and houses, cut by deep canyons of streets, to become on the first plan a group of single houses, etched with the sharp clarity of a landscape seen through binoculars. In that section of the map, the engraver concentrated on the complicated and manifold profusion of streets and alleyways, the sharp lines of cornices, architraves, archivolts, and pilasters, lit by the dark gold of a late and cloudy afternoon which steeped all corners and recesses in the deep sepia of shade. The solids and prisms ofthat shade darkly honeycombed the ravines of streets, drowning in a warm color here half a street, there a gap between houses. They dramatized and orchestrated in a bleak romantic chiaroscuro the complex architectural polyphony.

On that map, made in the style of baroque panoramas, the area of the Street of Crocodiles shone with the empty whiteness that usually marks polar regions or unexplored countries of which almost nothing is known. The lines of only a few streets were marked in black and their names given in simple, unadorned lettering, different from the noble script of the other captions. The cartographer must have been loath to include that district in the city and his reservations found expression in the typographical treatment.

In order to understand these reservations, we must draw attention to the equivocal and doubtful character of that peculiar area, so unlike the rest of the city.

It was an industrial and commercial district, its soberly utilitarian character glaringly underlined. The spirit of the times, the mechanism of economics, had not spared our city and had taken root in a sector of its periphery which then developed into a parasitical quarter.

While in the old city a nightly semiclandestine trade prevailed, marked by ceremonious solemnity, in the new district modern, sober forms of commercial endeavor had flourished at once. The pseudo-Americanism, grafted on the old, crumbling core of the city, shot up here in a rich but empty and colorless vegetation of pretentious vulgarity. One could see there cheap jerry-built houses with grotesque façades, covered with a monstrous stucco of cracked plaster. The old, shaky suburban houses had large



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